Pennsylvania Station Interior, 1936, printed later
Gelatin silver print
19 x 15 inches

Berenice Abbott (b. 1898, Springfield, Ohio; d. 1991, Monson, Maine) is a celebrated American photographer. Immersed in the avant-garde movement after studying in Paris, she worked for Man Ray’s studio, where she developed her photography practice. After eight years in Europe, Abbott returned to New York City in 1929 and began her most celebrated body of work: photography documenting the city’s rapidly changing architecture and environment.

A collection of Abbott’s photographs, Changing New York, was published in 1939 and remains a seminal work for art historians and photographers. Her work has been exhibited widely internationally, notably, at the Smithsonian Museum of American Art, Washington, DC; The Metropolitan Museum of Art, New York; and in a career retrospective of the artist’s work at The Museum of Modern Art, New York.

Forest Road, 2005
Oil on linen
16 x 20 inches 

Simon Aldridge (b. 1974, London) is an artist, architect, and designer whose multidisciplinary practice spans painting, sculpture, installation, residential architecture, landscape, and furniture design.

Aldridge’s work has been exhibited widely including at Artists Space, New York; MoMA PS1, Queens, New York; the New Museum, New York; Mass MoCA, North Adams, Massachusetts; and the Kunsthalle Fridericianum, Kassel. His work is held in the collection of the Weatherspoon Art Museum, Greensboro, North Carolina; and the Hall Art Foundation, Reading, Vermont. His work has been featured in Art News, The New York Times, and Art in America.

It's a low strung stature that leads to some of the finest performance characteristics on the road, 2004 
Oil on linen
36 x 48 inches

Reed Anderson (b. 1969, New York) is an artist whose practice spans painting, printmaking, and textiles. In his ongoing body of work, Anderson cuts intricate patterns into a sheet of paper, folds it onto itself, and applies paint through the layers of holes using a technique close to stenciling. After unfolding it, Anderson collages the excess paper cut-outs onto the surface to embellish the work. The folds in the paper, symmetrical motifs, and recurring positive and negative shapes evidence the artist’s playful process.

Anderson’s work has been exhibited widely including at the Yerba Buena Center for the Arts, San Francisco; Cleveland Center for Contemporary Art, Ohio; Burchfield Penny Art Center, Buffalo, New York; and is held in the permanent collection of The Museum of Modern Art, New York; and Buffalo AKG Art Museum, New York. His work has been featured in The New York Times, and he has received awards from the New York Foundation for the Arts and the Pollack-Krasner Foundation.

Dedicated & Medicated, 2003
Mixed media on paper
64 3/4 x 62 ⅛ inches

Reed Anderson (b. 1969, New York) is an artist whose practice spans painting, printmaking, and textiles. In his ongoing body of work, Anderson cuts intricate patterns into a sheet of paper, folds it onto itself, and applies paint through the layers of holes using a technique close to stenciling. After unfolding it, Anderson collages the excess paper cut-outs onto the surface to embellish the work. The folds in the paper, symmetrical motifs, and recurring positive and negative shapes evidence the artist’s playful process.

Anderson’s work has been exhibited widely including at the Yerba Buena Center for the Arts, San Francisco; Cleveland Center for Contemporary Art, Ohio; Burchfield Penny Art Center, Buffalo, New York; and is held in the permanent collection of The Museum of Modern Art, New York; and Buffalo AKG Art Museum, New York. His work has been featured in The New York Times, and he has received awards from the New York Foundation for the Arts and the Pollack-Krasner Foundation.

HWP42, 2014 | HWP20, 2104
Marker on rayon velvet
55 x 37 ½ inches

Polly Apfelbaum (b. 1955, Abington, Pennsylvania) is a multidisciplinary artist whose practice blurs the distinctions between painting, sculpture, and installation. Her works feature hand-dyed fabrics, vibrant color, and dynamic patterns, and her large-scale installations often combine ceramics, woven textiles, and custom wallpapers.

Apfelbaum’s work has been exhibited widely including at the Worchester Art Museum, Massachusetts; the Center for the Arts at Virginia Tech, Blacksburg; lumber room, Portland, Oregon; the Contemporary Art Museum, St. Louis; the Massachusetts College of Art and Design, Boston; The Institute of Contemporary Art at the University of Pennsylvania, Philadelphia; the Contemporary Arts Center, Cincinnati; and the Kemper Museum of Contemporary Art, Kansas City, Missouri. Her work is held in the collections of the Brooklyn Museum, New York; The Museum of Modern Art, New York; the Whitney Museum of American Art, New York; and the Philadelphia Museum of Art, Pennsylvania. Her work has been featured in The Guardian, The New York Times, and Artforum.

At Pyramide, 2003
Lambda print, unique
50 x 59.5 inches

Shimon Attie (b. 1957, Los Angeles, California) is an artist whose work spans photography, video, and immersive site-responsive installations. In many of his projects, Attie engages local communities in finding new ways of representing their history, memory, and potential futures. His ongoing work explores the ways in which contemporary media may be used to reimagine new relationships between time, place, and identity, and he is particularly concerned with issues of loss, communal trauma, and the potential for regeneration. His artistic practice includes creating site-specific installations in public places, accompanying art photographs,

Attie’s work has been exhibited widely including at The Museum of Modern Art, New York; the Corcoran Gallery of Art (now the Corcoran Collection at the National Gallery of Art), Washington, DC; Centre Pompidou, Paris; the Miami Art Museum (now the Pérez Art Museum Miami); and the Institute of Contemporary Art, Boston. His work is held in the collection of the National Gallery of Art, Washington, DC; Centre Pompidou, Paris; the Los Angeles County Museum of Art; the San Francisco Museum of Modern Art; the International Center of Photography, New York; The Museum of Modern Art, New York; and the High Museum of Art, Atlanta. His work has been featured in The New York Times, ARTnews, PBS News Hour, and CNN.

Cubic Idea, 2006-07
Sewn soccer balls
59 ½ x 52 inches

Felipe Barbosa (b. 1978, Rio de Janeiro, Brazil) is an artist who works primarily with mass-produced objects, such as soccer balls, tennis rackets, firecrackers, and books, which he recycles and transforms into wall works and free-standing sculptures.

Barbosa’s work has been exhibited widely including at the Centro Cultural São Paolo; Universidad Nacional Autónoma de México, Mexico City; the Kawasaki City Museum, Japan; the Miami Art Museum (now Pérez Art Museum Miami); and Fondazione Pitte, Stazione Leopolda, Florence. 

Instant, 2006
Oil and colored pencil on panel
24 x 18 inches

Lisa Beck (b. 1958, New York) is a multidisciplinary artist who explores the tension between referential and abstract imagery in painting, sculpture, and installation. Her work is driven by her preoccupations and obsessions with the relationship of the particular to the universal. For Beck, “the particular” is a shorthand for the observable aspects of reality (the landscape, our bodies), while “the universal” refers to things that are too vast or too tiny for us to grasp completely (space, atomic physics), thus becoming a kind of abstraction. Her most prevalent motif has been the circle in all its forms and references: atoms, solids, voids, cells, selves, stars, and eternity.

Beeck’s work has been exhibited widely including at the Portland Institute for Contemporary Art, Oregon; Musée d’Art Moderne et Contemporain, Geneva; White Columns, New York; and MoMA PS1, Queens, New York. Her work is held in the collection of Musée des Beaux-Arts de La Chaux-de-Fonds, Switzerland; Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York; Collezione Maramotti Collection, Reggio Emilia, Italy; and FRAC des Pays de la Loire, France. Beck’s work has been featured in The New Yorker, Artforum, and The New York Times.

Fire Escapes, 2015
Watercolor on paper
11 x 15 inches

L.B. Berman is a self-taught artist and self-described “minimalist who sees beauty in simple complexity.” Berman works primarily in watercolor and acrylic, and her first experience with making art occurred when a therapist gave her a brush, paper, and paint. In addition to creating paintings on paper and canvas, she has worked as a designer and fabricator of copper and aluminum earrings. Berman has exhibited her work at Fountain House Gallery, New York, a nonprofit organization that supports the careers and creative visions of contemporary artists living with mental illness.

The Hangover, 2012
Watercolor on paper
15 x 11 inches

L.B. Berman is a self-taught artist and self-described “minimalist who sees beauty in simple complexity.” Berman works primarily in watercolor and acrylic, and her first experience with making art occurred when a therapist gave her a brush, paper, and paint. In addition to creating paintings on paper and canvas, she has worked as a designer and fabricator of copper and aluminum earrings. Berman has exhibited her work at Fountain House Gallery, New York, a nonprofit organization that supports the careers and creative visions of contemporary artists living with mental illness.

To Be Free, 2015
Acrylic on paper
12 x 18 inches

L.B. Berman is a self-taught artist and self-described “minimalist who sees beauty in simple complexity.” Berman works primarily in watercolor and acrylic, and her first experience with making art occurred when a therapist gave her a brush, paper, and paint. In addition to creating paintings on paper and canvas, she has worked as a designer and fabricator of copper and aluminum earrings. Berman has exhibited her work at Fountain House Gallery, New York, a nonprofit organization that supports the careers and creative visions of contemporary artists living with mental illness.

Pictures Made by Hand with the Assistance of Light, 2006 
Black and white photogram on fiber-based gelatin silver paper in handmade artist's frame
20 3/4 x 17 ½ inches

Walead Beshty (b. 1976, London) is a multidisciplinary conceptual artist whose work spans photography, sculpture, painting, collage, installation, and writing. Throughout these diverse practices, he disrupts conventions, blurs boundaries, moves beyond the traditional confines of medium, and redefines commonly accepted meanings.

Beshty’s work has been exhibited widely including at Malmö Konsthall, Sweden; Musée d’Art Moderne et Contemporain, Geneva; the Hirshhorn Museum and Sculpture Garden, Washington, DC; and the Hammer Museum, Los Angeles. His work is held in the collection of the Solomon R. Guggenheim Museum, New York; The Museum of Modern Art, New York; the Hammer Museum, Los Angeles; Tate, United Kingdom; and the Victoria and Albert Museum, London. His work has been featured in The New Yorker, The New York Times, and Artforum. 

Siena (Vertical), 2003
Digital chromogenic print/Plexiglas
89 3/8 x 71 ⅝ inches

James Casebere (b. 1953, East Lansing, Michigan) is recognized for his staged photographs created with elaborate architectural models. Over the course of six decades, Casebere has devised increasingly complex models that are subsequently photographed in his studio. Based on architectural, art historical, and cinematic sources, his table-sized constructions are made of simple materials, pared down to essential forms. Casebere’s abandoned spaces are hauntingly evocative and often suggestive of prior events, encouraging the viewer to reconstitute a narrative or symbolic reading of his work.

Casebere’s work has been exhibited widely including at The Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; the Victoria and Albert Museum, London; and Daejeon Museum of Art, South Korea. His work is included in the collections of the Brooklyn Museum, New York; The Museum of Modern Art, New York; the Dallas Museum of Art, Texas; and Tate Modern, London. His work has been featured in The New Yorker, The New York Times, Artforum, and Musée Magazine.

Untitled, 2007
Oil and ballpoint pen on canvas
18 x 14 inches

Peter Coffin (b. 1972, Berkeley, California) is a conceptual artist whose practice spans photography, assemblage, sculpture, printmaking, performance, time-based media, installation, and sound art. His work frequently engages humor and perception to question what it is we think we see and know.

Coffin’s work has been exhibited widely including at the Barbican, London; the Hirshhorn Museum and Sculpture Garden, Washington DC; and the Aspen Art Museum, Colorado, among others. His work is held in the collection of The Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the Walker Art Center, Minneapolis; the Museum of Fine Arts, Boston; and the Museo Jumex, Mexico City. Coffin’s work has been featured in The Guardian, Artforum, and The New York Times.

Untitled, 2021-2022
Watercolor and pencil on paper
16 ⅛ x 12 ¼

Stephanie Crawford (b. 1942, Detroit, Michigan) is a visual and performing artist who lives and works in Oakland, California. A renowned jazz vocalist, she performed for decades in Detroit, New York, and Paris before moving to California. The artist’s lush watercolor works on paper are informed by her Buddhist practice and her interest in jazz and improvisation, and she paints from observation, moving freely between representation and abstraction. Crawford’s deliberate marks pool and bleed color across the surface of the page: "You can't control it,” she notes. “You can try, but watercolor does what it wants. In most mediums, paint stays where you put it. Watercolor complies with gravity and parallels the improvisation of jazz.”

Crawford’s work has been exhibited widely including at Rebecca Camacho Presents, San Francisco; Karma, New York; apexart, New York; Parker Gallery, Los Angeles; Gordon Robichaux, New York; and Artist Curated Projects, Los Angeles. In 2020, a profile on the artist’s work was published in Hauser & Wirth’s magazine, Ursula, and her paintings have been featured in The New York Times.

Untitled, 2016
Set of four unique screenprints in colors
Edition 22/30 + 5 AP, each unique
27 x 20 inches each

Matt Connors (b. 1973, Chicago, Illinois) approaches painting as both a formal and conceptual pursuit, examining the intricate mechanisms of image-making and perception. Experimenting with process, structure, and surface, Connors makes paintings rooted in direct observation, while simultaneously drawing from a broad network of references, including photography, found images, music, poetry, art, architecture, and design. Typically beginning with a particular line of inquiry or detail, Connors’s process involves translating his subjects into images through visual strategies such as accumulation, scale shifts, replication, reversals, distortion, and mirroring. His works consequently develop their own internal logic, guided by structure, pattern, rhythm, and color, while remaining open to improvisation. This distinctive approach initiates a non-linear, open-ended dialogue between form, style, material, and meaning, inviting multiple interpretations.

Connors has exhibited his work widely, including at the Whitney Museum of American Art, New York; Goldsmiths Centre for Contemporary Art, London; MoMA PS1, Queens, New York; The Museum of Modern Art, New York; the Milwaukee Art Museum, Wisconsin; and the Walker Art Center, Minneapolis. His work is held in the collection of the Whitney Museum of American Art and The Museum of Modern Art in New York, and has been featured in The New York Times, The New Yorker, and Vogue, among others. 

Spirolater, 2004
Four framed works on paper
27 1/2 x 39 ¼ inches each

Ian Dawson (b. 1969, Darlington, England) is an artist whose wide-ranging practice is rooted in an exploration of materials and their transformation. His ongoing concern with structure and its dematerialization is exemplified by his series of large Spirograph geometric drawings, which he created using the popular namesake toy that emerged in the 1960s and 1970s.

Dawson has exhibited widely, including at James Cohan Gallery, New York; Hales, London; Modern Art, London; and Galerie Xippas, Paris. His work is held in the collection of Saatchi Gallery, London, and ABN AMRO Art Collection, Amsterdam.

Blakeney #1, #2, #3, 2001
Iris print construction
Edition 1/30
20 x 30 inches

Richard Deacon (b. 1949, Bangor, Wales) is a sculptor whose work has taken the form of controlled, abstract structures that are combined with an imaginative and unexpected use of materials. At the forefront of international sculpture since the 1980s, he has developed a distinctive vocabulary that includes everyday materials such as laminated wood, linoleum, leather, concrete, and limestone. There is a striking tension between the resolute abstraction of his works and the organic implications of their shapes, which often evoke forms from molecular biology.

Deacon’s work has been exhibited widely including at the Middelheimmuseum, Antwerp, Belgium; the Museum Folkwang, Essen, Germany; the Kunst Museum Winterthur, Switzerland; Tate Britain, London; the Sprengel Museum Hannover, Germany; The Museum of Modern Art, New York; the Sofia Imber Museum of Contemporary Art, Caracas, Venezuela; The Metropolitan Museum of Art, New York; the National Gallery of Art, Washington, DC; the Victoria and Albert Museum, London; and the George Eastman Museum, Rochester, New York.

Untitled, 2007
Spray paint and printing ink on linen
21 3/4 x 29 inches

Lucky DeBellevue (b. 1957, Crowley, Louisiana) is a multidisciplinary artist whose practice explores a wide range of materials, processes, and subjects inspired by DIY culture, craft, cinema, and art history. His diverse production includes large, biomorphic sculptures woven with colorful pipe cleaners; prints made by stamping quotidian objects onto paper with paint; and photorealist paintings made from film stills.

DeBellevue has exhibited widely including at Tate Modern, London; the Whitney Museum of American Art, New York; the Brooklyn Museum, New York; and the Museum of Contemporary Art Chicago. His work is held in the collection of the Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York; the Akron Art Museum, Ohio; and the Nerman Museum of Contemporary Art, Overland Park, Kansas. His work has been featured in The New York Times, The New Yorker, Los Angeles Times Magazine, The Boston Globe, and Artforum.

Untitled, 2009
Spray paint and printing ink on paper
15 1/16 x 11 ¼ inches

Lucky DeBellevue (b. 1957, Crowley, Louisiana) is a multidisciplinary artist whose practice explores a wide range of materials, processes, and subjects inspired by DIY culture, craft, cinema, and art history. His diverse production includes large, biomorphic sculptures woven with colorful pipe cleaners; prints made by stamping quotidian objects onto paper with paint; and photorealist paintings made from film stills.

DeBellevue has exhibited widely including at Tate Modern, London; the Whitney Museum of American Art, New York; the Brooklyn Museum, New York; and the Museum of Contemporary Art Chicago. His work is held in the collection of the Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York; the Akron Art Museum, Ohio; and the Nerman Museum of Contemporary Art, Overland Park, Kansas. His work has been featured in The New York Times, The New Yorker, Los Angeles Times Magazine, The Boston Globe, and Artforum.

Fisherman's Pinwheel Horizon, 2007
Watercolor on paper
40 1/2 x 26 inches

Benjamin Degan (b. 1976, Brooklyn, New York) is a narrative painter who produces optically charged paintings and drawings through active mark making. Degen’s work is defined by these decisive, rhythmic gestures and is grounded in daily drawing and observation practices. The artist places the viewer within scenes ranging from vast seaside horizons to dense cityscapes, making us keenly aware of our visual and physical experience of the world around us.

Degan has exhibited his work widely including at MoMA PS1, Queens, New York; the Weatherspoon Art Museum, Greensboro, North Carolina; and the Nerman Museum of Contemporary Art, Overland Park, Kansas. His work is held in the permanent collection of The Museum of Modern Art, New York; the Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York; and the Collezione Maramotti, Reggio Emili, Italy. His work has been featured in The New York Times, New York Magazine, Artforum, and The Brooklyn Rail.

Dearborn Station, 1941
Silver gelatin print
13 3/4 x 11 inches

Andreas Feininger (b. 1906, Paris, France; d. 1999, New York) was a photographer and author. He is recognized for his dynamic black-and-white images of Manhattan, and his capturing of patterns and structure in natural objects such as shells, bones, and spider webs. He began his career in architecture in Paris, before establishing his own firm in Stockholm, which specialized in architectural and industrial photography. With the outbreak of war in 1939, Feininger moved to New York City, where he worked as a freelance photographer, and later as a staff photographer at LIFE magazine, from 1943 to 1962.

Feininger's photographs have been exhibited widely and are held in the collection of The Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; the National Gallery of Art, Washington, DC; the Victoria and Albert Museum, London; and the George Eastman Museum, Rochester, New York.

The Franklin Abraham, 2005
Digital c-print
41 x 67 inches

Jonah Freeman (b. 1975, Santa Fe, New Mexico) is an artist who works independently as well as in the collaborative duo, Freeman/Lowe. His practice is rooted in filmmaking and includes painting, photography, and the creation of environments. He frequently employs fiction to investigate architecture and its social and psychological effects.

Freeman’s work has been exhibited widely, including at MoMA PS1, Queens, New York; Centre Pompidou, Paris; Centre d’Art Contemporain Genève, Switzerland; and the Busan Biennale, South Korea. His films have screened internationally at the International Film Festival Rotterdam, Locarno International Film Festival, and Rome Film Fest.

Ascension, 2000
Mixed media on wood
59 1/2 x 53 1/4 x 4 inches

Phil Frost (b. 1973, Jamestown, New York) is a self-taught painter who synthesizes a range of influences in his multimedia artwork, including graffiti, modern art and design, and the street art and skateboarding culture of his youth.

His work has been exhibited widely, including at the Pennsylvania Academy of the Fine Arts, Philadelphia; the Yerba Buena Center for the Arts, San Francisco; the Contemporary Arts Center, Cincinnati; Spiral, Tokyo; and the Centre for Contemporary Photography, Melbourne. Frost’s artwork has appeared on album covers, skateboard decks, and in major commercial commissions, and has been featured The New York Times, Artforum, and Warp magazine.

portal DF/SF, 2021
Crocheted copper wire, copper wire, copper pipe, shell
84 x 30 inches

ektor garcia (b.1985, Red Bluff, California) is a multidisciplinary artist who lives and works nomadically, embracing these conditions for the creation of art. Many of his works are created on park benches or on trains and boats during his travels, and incorporate humble materials like copper wire, seashells, and crochet—a craft tradition he learned from his grandmother. 

garcia has exhibited his work widely, including at the San José Museum of Art, California, and the Whitney Museum of American Art, New York. garcia's work is held in the collection of the Cantor Arts Center at Stanford University, Palo Alto, California; the Hammer Museum, Los Angeles; the San Francisco Museum of Art; the Musée d'art contemporain de Montréal; and the Whitney Museum of American Art, New York. His work has been featured in The New York Times, Artforum, and Sculpture Magazine.

Single Mum, 2020
Paper beads on barkcloth
87 x 43 1/2 inches

Sanaa Gateja (b. 1950, Kisoro, Uganda) lives and works in Kampala, Uganda. His intricate, tapestry-like assemblages comprise hundreds of handmade beads, crafted by artisans using recycled paper from books and magazines and attached to barkcloth. To create his labor-intensive works, he employs members of this community, whom he has trained and worked with since the early 1990s.

Gateja’s work has been exhibited widely, including at the Uganda Museum, Kampala; the National Museum of Kenya, Nairobi; the Carnegie Museum of Art, Pittsburgh, Pennsylvania; the Museum of Arts and Design, New York; and Dallas Contemporary, Texas. His work is held in the collection of the Carnegie Museum of Art, Pittsburgh, Pennsylvania; de Young Museum, San Francisco; the Field Museum, Chicago; the National Museum of Scottland, Edinburgh; and the Victoria and Albert Museum, London. His work has been featured in The Independent, BOMB Magazine, and Artforum, among other publications.

Untitled, 2005
Ink, ballpoint pen, acrylic, enamel, spray paint, sweepings, gold and silver leaf on canvas
24 x 24 inches

Sam Gordon, b. 1973, Brooklyn, New York) is a New York-based artist who explores personal and cultural mythologies through painting, collage, photography, and installation. Within his works, he frequently incorporates remnants of fabric, ephemera, canvas, and debris produced during his artmaking process.

Gordon’s work has been exhibited widely including at MoMA PS1, Queens, New York; the Institute for American Art, Portland, Maine; the Centre for Contemporary Arts, Glasgow; and the Aspen Art Museum, Colorado. His work is held in the permanent collection of The Museum of Modern Art, New York, and has been featured in The New York Times, The Brooklyn Rail, Bomb Magazine, and Artforum, among other publications.

Film stills from remembering is a difficult job, but somebody has to do it
Pigment print in 3 parts
33 x 48 ⅜ inches each

Joseph Grigley (b. 1956, Longmeadow, Massachusetts) is an artist and writer whose work spans sculpture, photography, video, and installation. Through his conceptual practice, he explores language, communication, and the representation of conversation in the absence of speech, often engaging archives and the archiving process.

Grigley’s work has been exhibited widely including at the Whitney Museum of American Art, New York; the Solomon R. Guggenheim Museum, New York; the Museum of Contemporary Art Chicago; Centre Pompidou, Paris; Musée d'Art moderne de la Ville de Paris; Kunstmuseum Bern, Switzerland; Tate Modern, London; and Stedelijk Museum, Amsterdam. His work is held in the collections of the Museum of Contemporary Art Chicago; Tate Modern, London; the Stedelijk Museum, Amsterdam; and The Museum of Modern Art, New York. 

Teatro Municipal, Piacenza 2, 2002
C-print
Edition 6/6
62 3/4 x 50 inches

Doug Hall (b.1944, San Francisco, California) is a San Francisco-based photographer and media artist whose practice spans photography, performance, installation, and video. In his large-format photographs, he documents and investigates the ways in which the built environment and natural landscape structure, direct, and define human experience.

Hall’s work has been exhibited widely including at the San José Museum of Art, California; the Berkeley Art Museum and Pacific Film Archive, California; Centro Cultural São Paulo; the Institute of Contemporary Art, Boston; The Getty, Los Angeles; the Miami Art Museum (now the Pérez Art Museum Miami); and Borusan Contemporary, Istanbul. His work is held in the collections of the San Francisco Museum of Modern Art; The Museum of Modern Art, New York; the Museum of Contemporary Art Chicago; the Berlinische Galerie, Berlin; the Museum moderner Kunst Stiftung Ludwig Wien; Tate Modern, London; and the Whitney Museum of American Art, New York. His work has been featured in The New York Times, the San Francisco Chronicle, The Wall Street Journal, and Artforum. 

Wild Blue Yokohama, 2000
C-print
Edition 4/6
50 x 63 ¼ inches

Doug Hall (b.1944, San Francisco, California) is a San Francisco-based photographer and media artist whose practice spans photography, performance, installation, and video. In his large-format photographs, he documents and investigates the ways in which the built environment and natural landscape structure, direct, and define human experience.

Hall’s work has been exhibited widely including at the San José Museum of Art, California; the Berkeley Art Museum and Pacific Film Archive, California; Centro Cultural São Paulo; the Institute of Contemporary Art, Boston; The Getty, Los Angeles; the Miami Art Museum (now the Pérez Art Museum Miami); and Borusan Contemporary, Istanbul. His work is held in the collections of the San Francisco Museum of Modern Art; The Museum of Modern Art, New York; the Museum of Contemporary Art Chicago; the Berlinische Galerie, Berlin; the Museum moderner Kunst Stiftung Ludwig Wien; Tate Modern, London; and the Whitney Museum of American Art, New York. His work has been featured in The New York Times, the San Francisco Chronicle, The Wall Street Journal, and Artforum.

A Priori Map RL14, 2024
Casein and oil bar on paper
35 x 27 inches

Cynthia Hawkins (b. 1950, Queens, New York) is an artist and curator who has, since the early 1970s, consistently painted abstractly and in series, exploring diverse literary, philosophical, and scientific influences within a delineated structure. Hawkins uses a highly developed vocabulary of symbols and signs to investigate color, movement, and light, and her work is dense with richly evocative meaning.

Hawkins’s work has been exhibited widely, including at The Museum of Modern Art, New York; the 36th Bienal de São Paulo; the Studio Museum in Harlem, New York; and the Buffalo Museum of Science, New York. Her work is held in the collection of the Studio Museum in Harlem, New York; The Bronx Museum of the Arts, New York; LaGrange Art Museum, Georgia; and the U.S. Department of State, Washington DC.

Skywiper 70, 2015
ChromaLuxe transfer on aluminum
36 x 24 inches

James Hoff (b. 1975, Fort Wayne, Indiana) is an artist whose practice encompasses a variety of media, including painting, sound, video, and publishing. He has employed computer viruses, inaudible data signals, ear worms, dead zones, and Google Maps as tools and framing devices for works that reimagine and expand the creative potential of digital and cultural networks.

Hoff has exhibited and performed widely including at Artists Space, New York; Bergen Kunsthall, Norway; the Carpenter Center for the Visual Arts at Harvard University, Cambridge, Massachussetts; the Contemporary Arts Center, New Orleans; the Centre d’art contemporain Genève; the Institute of Contemporary Arts, London; The Kitchen, New York; The Royal Theatre of La Monnaie, Brussels; MASS MoCA, North Adams, Massachusetts; MoMA PS1, Queens, New York; and the Museum of Contemporary Art Denver.

Untitled 4W2, 2004
Oil on canvas on wood
43 x 69 inches

Prudencio Irazabal (b. 1954, Alva, Spain) is a painter whose luminous works explore perception and the effects of surface, depth, color, and light.

Irazabal has exhibited widely, including at Artium Museoa, Vitoria-Gasteiz; the Guggenheim Museum Bilbao; Galería Helga de Alvear, Madrid; and the Museo de Arte Contemporáneo de Castilla y León, Spain. His works are held in Spain in the collection of Museo Nacional Centro de Arte Reina Sofía, Madrid; Guggenheim Museum Bilbao; Artium Museoa, Vitoria-Gasteiz; Museo de Arte Contemporáneo Helga de Alvear, Cáceres; Centro de Arte Dos de Mayo, Madrid; and Museo de Navarra, Pamplona.

Untitled, 2004
C-print
40 x 40 inches

Rinko Kawauchi (b. 1972, Shinga, Japan) is a photographer recognized for her poetic images of everyday life and her carefully edited photobooks. With her restrained and lyrical aesthetic and a soft palette, quotidian objects are transformed into sublime images that highlight the ephemeral nature of life.

Kawauchi’s work has been exhibited widely including at the Foundation Cartier pour l’art Contemporain, Paris; the San Francisco Museum of Modern Art; The Photographer’s Gallery, London; the Museu de Arte Moderna de São Paulo; the Tokyo Photographic Art Museum; and White Cube, Kyoto. 

Rain, 2003
Acrylic on paper
20 x 14 inches

Kinke Kooi (b. 1961, Leeuwarden, Netherlands) is an artist who makes delicate and precise paintings and works on paper. Each of her intricate works, which can take up to a year to complete, is inspired by the patterns, shapes, dualities, and biomorphic forms found in the natural world: flora and fauna, fluid and solid forms, and the internal and external surfaces of the human body.

Kooi has exhibition widely including at the Museum Arnhem, Netherlands; The Drawing Center, New York; Kunstverein Braunschweig, Germany; CAPC Bordeaux, France; Mills College Art Museum, Oakland, California; Yerba Buena Center for the Arts, San Francisco; Museum Boijmans Van Beuningen, Rotterdam; and the Aldrich Contemporary Art Museum, Ridgefield, Connecticut. Her work is held in the collection of the Rijksmuseum, Amsterdam; the Museum Boijmans Van Beuningen, Rotterdam; the Museum Arnheim, Netherlands; and the Tang Teaching Museum at Skidmore College, Saratoga Springs, New York.

Formation, 2021
Bronze, granite, marble
44 x 48 x 15 inches

Alicja Kwade (b. 1979, Katowice, Poland) is an artist based in Berlin who is recognized internationally for her sculpture, film, photography, works on paper, and expansive public installations. Throughout her practice, she engages with scientific and philosophical concepts through an exploration of materials and perception.

Kwade has exhibited widely including at the Louisiana Museum of Modern Art, Humlebæk, Denmark; Whitechapel Gallery, London; the MIT List Visual Arts Center, Cambridge, Massachusetts; Hamburger Bahnhof – Nationalgalerie der Gegenwart, Berlin; the Espoo Museum of Modern Art, Finland; and Haus Konstruktiv, Zurich. Notable installation works include commissions for The Metropolitan Museum of Art, New York; Au Cours des Mondes on Place Vendôme, Paris; Desert X AlUla 2022, Saudi Arabia; and the 57th Venice Biennale. Her works are held in the collection of the Centre Pompidou, Paris; the Hirshhorn Museum and Sculpture Garden, Washington DC; the Los Angeles County Museum of Art; the Louisiana Museum of Modern Art, Humlebaek, Denmark; Musée d'Art Moderne Grand-Duc Jean, Luxembourg; and the Museum Moderner Kunst Stiftung Ludwig, Vienna.

Untitled #2, 2009
C-print
Edition 4/5
20 x 16 inches

Miranda Lichtenstein (b. 1969, New York) is an artist whose practice encompasses photography and video. Throughout, she pushes the boundaries of traditional photography, frequently using collage and abstraction to interrogate the material properties of the medium.

Lichtenstein has exhibited widely including at the Hammer Museum, Los Angeles; the Whitney Museum of American Art, New York; the Museum of Contemporary Art, Tucson, Arizona; the Solomon R. Guggenheim Museum, New York; the Hirshhorn Museum and Sculpture Garden, Washington DC; Renaissance Society, Chicago; Musée Marmottan Monet, Paris; Stadthaus Ulm, Germany; and the New Museum, New York. Her work is held in the collection of the Hirshhorn Museum and Sculpture Garden, Washington DC; the Madison Museum of Contemporary Art, Wisconsin; the New Museum, New York; the Solomon R. Guggenheim Museum, New York; and the Baltimore Museum of Art, Maryland. Her work has been featured in The New York Times, The New Yorker, W, and Artforum.

Main Line on Maine Street, Virginia, 1958
Silver gelatin print
23 1/4 x 26 ¾ inches

O. Winston Link (b. 1914, Brooklyn, New York; d. 2001, Katonah, New York) was an American photographer, recognized for his black-and-white photography and sound recordings of steam locomotives on the Norfolk and Western railway in the United States. Link published two books of his photographs: Steam, Steel, & Stars (1987) and The Last Steam Railroad in America, 1995).

His photographs have been exhibited widely including at the Madison Museum of Contemporary Art, Wisconsin; the Amon Carter Museum of American Art, Fort Worth, Texas; and at the O. Winston Link Museum, Roanoke, Virginia, which is dedicated to his photographs, audio files, and video works. His work is held in the collection of The Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; and the Smithsonian Museum of American Art, Washington, DC.

Drive In, c.1956
Silver gelatin print

O. Winston Link (b. 1914, Brooklyn, New York; d. 2001, Katonah, New York) was an American photographer, recognized for his black-and-white photography and sound recordings of steam locomotives on the Norfolk and Western railway in the United States. Link published two books of his photographs: Steam, Steel, & Stars (1987) and The Last Steam Railroad in America, 1995).

His photographs have been exhibited widely including at the Madison Museum of Contemporary Art, Wisconsin; the Amon Carter Museum of American Art, Fort Worth, Texas; and at the O. Winston Link Museum, Roanoke, Virginia, which is dedicated to his photographs, audio files, and video works. His work is held in the collection of The Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; and the Smithsonian Museum of American Art, Washington, DC.

In the Hospital, I always sit on the left chair, 2004
Colored thread and nails
42 x 60 inches

Ján Mančuška (b. 1972, Bratislava, Slovakia; d. 2011, Prague, Czech Republic) was a pioneering conceptual artist who is recognized for his explorations of language, space, and narrative structure. At the core of his practice was a deep investigation of the ways in which language shapes perception and memory.

Mančuška’s work and performances have been exhibited widely including at the National Gallery Prague; the Ludwig Múzeum of Contemporary Art, Budapest; Bundeskunsthalle, Bonn, Germany; the New Museum, New York; the Institut dʼArt Contemporain, Villeurbanne, France; the Festival Panorama, Rio de Janeiro; The Museum of Modern Art, New York; the Tel Aviv Museum of Art; ZKM, Karlsruhe, Germany; the Stedelijk Museum, Amsterdam; the 2nd Prague Biennale; the Berlin Biennale; and Manifesta 4, Frankfurt am Main, Germany. His works are held in the collections of The Museum of Modern Art, New York; Centre Pompidou, Paris; Bundeskunstsammlung, Germany; TBA21 Thyssen-Bornemisza Art Contemporary, Vienna; and Kontakt Collection, Vienna.

Climbing the Hole, 2005
Graphite on paper
35 x 48 inches

Yuri Masnyj (b. 1976, Washington, DC) is an artist whose practice spans drawing, sculpture, and installation. Throughout, Masnyj explores the relationship between the built environment and human experience, and the ways in which it can be articulated through the placement and arrangement of objects.

Masnyj's work has been exhibited widely including at the SculptureCenter, Queens, New York; The Drawing Center, New York; Pioneer Works, Brooklyn, New York; Travesía Cuatro, Madrid; the Whitney Museum of American Art, New York; and MoMA PS1, Queens, New York. His work is held in the permanent collection of The Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Hammer Museum, Los Angeles; and The Contemporary Museum, Honolulu, Hawaii.

As Irmas (The Sisters), 2003 Screenprint
Edition 21/35
52 x 60 inches

Beatriz Milhazes (b. 1960, Rio de Janeiro, Brazil) is an artist renowned for her paintings, collage, and printmaking. Her use of color, geometry, and patterning is mined from memory and place: the botanical gardens and the Tijuca National Park near her studio, the surrounding city and its relationship to the ocean, and the cultural motifs of Brazil.

Milhazes has exhibited widely internationally including at the Long Museum, Shanghai; Museu de Arte de São Paulo Assis Chateaubriand; The Jewish Museum, New York; the Pérez Art Museum Miami; Paço Imperial, Rio de Janeiro; Museu Oscar Niemeyer, Curitiba, Brazil; Museo de Arte Latinoamericano de Buenos Aires; the Calouste Gulbenkian Foundation, Lisbon; Fondation Beyeler, Basel; Fondation Cartier pour l’art contemporain, Paris; and Pinacoteca do Estado de São Paulo. In 2003 she represented Brazil at the 50th Venice Biennale.

His works are held in the collection of The Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the San Francisco Museum of Modern Art; Museu Nacional de Belas Artes, Rio de Janeiro; Pinacoteca do Estado de São Paulo; Instituto Itaú Cultural, São Paulo; the Museum of Contemporary Art Tokyo; the 21st Century Museum of Contemporary Art, Kanazawa, Japan; Museo Nacional Centro de Arte Reina Sofia, Madrid; Fondation Beyeler, Basel; Centre Pompidou, Paris; and Tate Modern, London.

Bowler, 2006
Ink on paper
11 x 14 inches

Teapot, 2006
Ink on paper
11 x 14 inches

Tracy Miller (b. 1966, Storm Lake, Iowa) is a painter who creates fantastical, domestic still life paintings frequently inspired by displays of food, sweets, and everyday objects.

Miller's work has been exhibited at Feature Inc., New York; the American University Museum at the Katzen Arts Center, Washington, DC; Miles McEnery Gallery, New York; Derek Eller Gallery, New York; the Center for Maine Contemporary Art, Rockland; and Rhona Hoffman Gallery, Chicago. Her work is held in the collection of the Baltimore Museum of Art, Maryland; the Daum Museum of Contemporary Art, Sedalia, Missouri; the Des Moines Art Center, Iowa; and the Tang Teaching Museum at Skidmore College, Saratoga Springs, New York. Her work has been featured in The New York Times, The New Yorker, and Art in America.

din routines, 2003
Acrylic on aircraft plywood
15 3/4 x 17 ½ inches

tides, 2003
Acrylic on aircraft plywood
15 3/4 x 16 inches each

Graham Parks (b.1972, Spokane, Washington) is a painter who uses photography to document places he has visited and observed, which he translates through painting. Frequently employing a monochrome palette specific to each of his paintings, Parks explores the ways in which color relationships and the tensions between abstraction and representation inform our perceptions.

Parks has exhibited his work widely including at Artists Space, New York; Gallery Min Min, Tokyo; Kinz, Tillou + Feigen, New York; and Shoshana Wayne Gallery, Santa Monica, California. His work has been featured in The New Yorker, ARTnews, Art in America, Esquire Japan, and Artforum.

Lightning, 2005
Digital c-print
32 x 40 inches

Mariah Robertson (b. 1975, Indianapolis, Indiana) explores traditional darkroom photography and its fundamental materials and processes including photo paper, color filters, chemicals, multiple exposures, and cameraless photography. She frequently embraces improvisation and chance to create her works, which are typically made in the dark using a roll of photo paper and cardboard shapes, which she manipulates and exposes to short bursts of light, recording images directly onto the paper. Following this intuitive logic, she cuts sections of the exposed paper into freeform shapes, which she positions within frames as unique compositions.

Robertson’s work has been exhibited widely including at MoMA PS1, Queens, New York; the International Center of Photography, New York; the Museum of Contemporary Art Detroit; The Museum of Modern Art, New York; the Contemporary Arts Museum Houston; the Cleveland Museum of Art’s Transformer Station, Ohio; and the Baltic Centre for Contemporary Art, Gateshead, United Kingdom. Her work is held in the collections of The Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the National Gallery of Art, Washington, DC; and the Los Angeles County Museum of Art. Robertson’s work has been featured in Vogue, The New Yorker, Art in America, The New York Times, and the Los Angeles Times.

262, 2017 
Unique chromogenic print
50 x 44 inches

Mariah Robertson (b. 1975, Indianapolis, Indiana) explores traditional darkroom photography and its fundamental materials and processes including photo paper, color filters, chemicals, multiple exposures, and cameraless photography. She frequently embraces improvisation and chance to create her works, which are typically made in the dark using a roll of photo paper and cardboard shapes, which she manipulates and exposes to short bursts of light, recording images directly onto the paper. Following this intuitive logic, she cuts sections of the exposed paper into freeform shapes, which she positions within frames as unique compositions.

Robertson’s work has been exhibited widely including at MoMA PS1, Queens, New York; the International Center of Photography, New York; the Museum of Contemporary Art Detroit; The Museum of Modern Art, New York; the Contemporary Arts Museum Houston; the Cleveland Museum of Art’s Transformer Station, Ohio; and the Baltic Centre for Contemporary Art, Gateshead, United Kingdom. Her work is held in the collections of The Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the National Gallery of Art, Washington, DC; and the Los Angeles County Museum of Art. Robertson’s work has been featured in Vogue, The New Yorker, Art in America, The New York Times, and the Los Angeles Times.

Untitled, 2007
Archival pigment prints on cotton rag paper Edition 1/3
18 1/2 x 15 inches each

Noah Sheldon (b. 1975, Fort Wayne, Indiana) is an artist who works primarily as a photographer and filmmaker. His diverse practice includes commercial photography for advertising and editorial clients, as well as immersive installations within gallery spaces that incorporate sculpture, photography, sound, and colored light.

Sheldon’s work has been exhibited widely including at MoMA PS1, Queens, New York; UCCA Center for Contemporary Art, Beijing; John Connelly Presents, New York; and Dupreau Gallery, Chicago. His work has been featured in The New York Times, The New Yorker, The Financial Times Magazine, Architectural Digest, Rolling Stone, and New York Magazine.

Edna (from Dragon Fly Chip Series), 1989
Relief, die-cutting on handmade paper  Edition 14/20
24 x 24 inches

Alan Shields (b. 1944, Herington, Kansas; d. 2005, Shelter Island, New York) is recognized for his singular, imaginative structures using unconventional materials and processes. His tactile works are vibrant and convey a playful, deconstructive impulse through the incorporation of unstretched canvas, rope, paper, yarn, beads, and wood, and craft techniques such as dying, sewing, and quilting.

Shields’s work has been exhibited widely including at The Museum of Modern Art, New York,  the Los Angeles County Museum of Art; the National Gallery of Art, Washington DC; the Parrish Art Museum, Water Mill, New York; the Aspen Art Museum, Colorado; SITE Santa Fe, New Mexico; the High Museum of Art, Atlanta; the Nelson-Atkins Museum of Art, Kansas City, Missouri; and the Smithsonian Institution, Washington, DC. His work is held in the collections of the Corcoran Gallery of Art (now the Corcoran Collection at the National Gallery of Art), Washington, DC; The Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; the National Gallery of Art, Washington, DC; the Solomon R. Guggenheim Museum, New York; Tate, London; and the Whitney Museum of American Art, New York. His work has been featured in The New York Times, Artforum, The Brooklyn Rail, Los Angeles Times.

Swamp Thing II, 2003
Mixed media on paper
75 x 8 x 10 ¾ inches

Janaina Tschäpe (b. 1973, Munich, Germany) is an artist whose multidisciplinary practice encompasses painting, drawing, photography, video, and sculpture. Tschäpe’s dreamlike, abstract landscapes blur the line between aquatic, plant, and human forms, and reference myth, morphology, landscape, and the mysteries of aquatic states.

Tschäpe has exhibited at the Musée de l’Orangerie, Paris; the Museum of Fine Arts Boston; Whitechapel Gallery, London; the Irish Museum of Modern Art, Dublin; the 21st Century Museum of Contemporary Art, Kanazawa, Japan; the National Museum of Women in the Arts, Washington, DC; Instituto Tomie Ohtake, São Paulo; TBA21–Augarten, Vienna; Centro Cultural Banco do Brazil Rio de Janeiro; the Museum of Contemporary Art Taipei; the Kasama Nichido Museum of Art, Japan; Den Frie, Copenhagen; and OCA – Museu da Cidade, São Paulo. Her work is held in the collection of the Solomon R. Guggenheim Museum, New York; Centre Pompidou, Paris; Museo Nacional Centro de Arte Reina Sofía, Madrid; the National Gallery of Art, Washington, DC; the Harvard Art Museums, Cambridge, Massachusetts; Moderna Museet, Stockholm; Museu de Arte Moderna do Rio de Janeiro; and TBA21 Thyssen-Bornemisza Art Contemporary, Vienna.

Untitled, 2002
Oil and collage on canvas
48 x 68 inches

Carlos Vega (b. 1963, Melilla, Spain) is inspired by history, mythology, and spirituality, interests which he uses as points of departure to create his paintings and mixed-media assemblages. Often incorporating historical documents such as antique ledgers, typed cards from library catalogs, postage stamps, newspapers, and labels, Vega’s work is layered, meticulous, and intricate.

Vega has exhibited his work at Palacio de los Condes de Gabia, Granada, Spain; The Aldrich Contemporary Art Museum, Ridgefield, Connecticut; the Mennello Museum of American Art, Orlando, Florida; the National Academy Museum, New York; Yerba Buena Center for the Arts, San Francisco; Centro Cultural San Francisco, Puebla, Mexico; and the Virginia Museum of Contemporary Art, Virginia Beach. His work has been featured in The New York Times, Art in American, ARTnews, and Artforum.

Untitled, (Zeichnung), 2005
Graphite on paper
15 1/2 x 10 4/5 inches

Matthias Weischer (b.1973, Elte, Germany) is a painter whose work depicts domestic interior scenes and landscapes that challenge the viewer’s perception of space. He repeatedly crafts and restages his compositions to construct enigmatic interiors that suggest a fleeting human presence. Each work captures a moment suspended in time, while his spaces’ sparse furnishings and signs of disrepair evoke a sense of abandonment. This uncanny atmosphere is heightened by the recurring presence of paintings within the depicted spaces, resulting in a disorienting layering of dimensions.

Weischer’s work has been exhibited widely including at Centre Pompidou, Paris; Centro per l’Arte Contemporanea Luigi Pecci, Prato, Italy; Rudolfinum, Prague; SITE Santa Fe, New Mexico; MASS MoCA, North Adams, Massachusetts; Kunstmuseum Den Haag, Netherlands; Ludwig Forum für Internationale Kunst, Aachen, Germany; Museo de Arte de Ponce, Puerto Rico; and in the 51st Venice Biennale. His work is held in the collection of the Museum of Contemporary Art, Los Angeles; Pinault Collection, Paris; Kunstmuseum Den Haag, Netherlands; and Museum für Moderne Kunst, Frankfurt am Main, Germany. His work has been featured in The Brooklyn Rail, Juxtapoz Magazine, Art in America, The New York Times, and Esquire.

Marks of Indifference #1 (Shelf), 2006
Color photograph
48 x 57 ½ inches

Mark Wyse (b. 1970, Santa Monica, California) is a conceptual photographer whose practice documents marginal spaces and the traces and marks of human life.

Wyse’s work is held in held in institutional collections including The Metropolitan Museum of Art, New York; the Museum of Contemporary Art, Los Angeles; the Nelson-Atkins Museum of Art, Kansas City, Missouri; Yale University Art Gallery, New Haven, Connecticut; and Los Angeles County Museum of Art. His work has been featured in Artforum, Art in America, and The New York Times.